HSIAO Chin Solo Exhibition-Harmony of the Grande Chi

HSIAO Chin Solo Exhibition-Harmony of the Grande Chi


The Grand Chi is where the universe germinated from, and where the heavens, the earth, and all things have transformed from. It is a pure vital force that nourishes mankind and evokes auspicious peace and harmony.
Hsiao Chin’s universal view was developed based on Eastern calligraphy and Taoist philosophy, and while in the West, he was able to cultivate his own unique cultural substance and apply it in his abstract art.

Terrain, Maps, Time Travel— CHOU Tai-Chun’s Solo Exhibition

Terrain, Maps, Time Travel— CHOU Tai-Chun’s Solo Exhibition


It is Chou’s second solo exhibition at Liang Gallery, in which he continues with his exploration of the conflict caused by the human intervention in nature to develop a new dimension of time similar to the time travel; while the new works for the exhibition also touch upon the industrial history and terrain changes that Taiwan has been through.

The Gaze from the North: Kuo Hsueh-Hu and His Southern World

The Gaze from the North: Kuo Hsueh-Hu and His Southern World


The Gaze from the North: Kuo Hsueh-Hu and His Southern World will open on September 5 at Liang Gallery in Neihu, Taipei. The exhibition curated by WU Chao-Jen, the Assistant Professor of Department of Fine Arts at Tunghai University, features the masterpieces by KUO Hsueh-Hu (1908-2012) of his years in Taiwan and overseas, with which he was selected by the first Taiwan Art Exhibition, along with a great number of the rarely-seen flower paintings and travel paintings.

Truth as White – A Retrospective Exhibition of CHU Wei-Bor

Truth as White – A Retrospective Exhibition of CHU Wei-Bor


The “Truth as White – A Retrospective Exhibition of CHU Wei-Bor” is a comprehensive exhibition featuring his works of drawings from early days, oil painting on canvas, glass plate and oil paint on paper, ink on paper, woodblock prints, acrylic on fabric, paper sculpture, and the Spring Plowing series made of linen and thread from later in his career.

House in the Shade of Osmanthus Trees · Bustling Spring Scenery – Yu Peng

House in the Shade of Osmanthus Trees · Bustling Spring Scenery – Yu Peng


Yu Peng is a representative figure in the history of contemporary ink painting in Taiwan. Known as the “Ancient Person of Today", his paintings show a magnificently distinct style of Chinese ink painting perfectly reflecting his heroic spirit.

Yu Ya-Lan’s Solo Exhibition – Light&Ridge

Yu Ya-Lan’s Solo Exhibition – Light&Ridge


Light & Ridge is the theme of Ya-Lan Yu’s first exhibition in three years, and her latest body of work shows experimental qualities, with the collection serving as a documentary for the subtle transformation and breakthrough she’s made artistically in the last few years.

Simple Noble: The Artist Careers of Liao Shiou-Ping

Simple Noble: The Artist Careers of Liao Shiou-Ping


The exhibition is a highlight of the contemporary master Liao Shiou-Ping’s artistic path with selections from his early works in the 1960s to the latest works in 2019.

A Scene like Poetry – Wu Chien-Yi’s Solo Exhibition

A Scene like Poetry – Wu Chien-Yi’s Solo Exhibition


Taiwanese Artist Wu Chien-Yi specializes in collage art and mixed media installations. Her art is the after product of various approaches regarding keen observations and experiments.

My Way in One Continuous Strand – A Retrospective Exhibition of Chu Ko

My Way in One Continuous Strand – A Retrospective Exhibition of Chu Ko


The exhibition features 33 artworks by Chu Ko, all from a period which reveals the artist’s artistic belief that the infinity originates with one and ends in one as inherited from the Chinese culture which associates rope making with governing.

Jam Wu’s Exhibition–Songs and Bonfires

Jam Wu’s Exhibition–Songs and Bonfires


Taiwanese artist Jam Wu focuses on the history of folk art and experiments with the interpretation of personal characteristics by sharing the paper-cut culture. The exhibition includes four subtopics, which summarize Wu’s artistic exploration of the past two years.

2018 TAD Festival-Should We Play?

2018 TAD Festival-Should We Play?


Should We Play? discusses the memory of “playing,” hopes to renew the expectation and imagination of “playing.” As one of the main exhibition venues, Liang Gallery will showcase works of art by 8 new media artists under the subtitle of “Transitional Mirage.”

Entering Sekaikei – Bokurano – Chen I-Chun Solo Exhibition

Entering Sekaikei – Bokurano – Chen I-Chun Solo Exhibition


The title of this exhibition is adapted from the phrase “sekai-kei” (lit. world-type) by the Japanese philosopher Hiroki Azuma. The term “sekai-kei” became popular in 2003 and there is no particular national and social setting. The protagonist is you or me, the focus of the story is on the world crisis and destruction.

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